FACULTIES ENGAGED FOR THE COURSE : Narayanan A V, Biju Sukumaran, Shaan Mohammed, Ansar Chennattu
EXPERT FACULTY: Sreekar Prasad, Praveen K L, Steven Bernard, Neil Sadwelkar, Suresh Pai, Archana Hande
Welcome to Orange Film Academy and Research Centre. Creating a story by stitching together video footages, music and sounds is the pleasure of a Visual Editor.
Our 6-month Visual Editing course aims to make you a professional Visual Editor.
This film editing course outlines many real-time projects like movie trailers, teasers, promos, Film/Tele serial editing, Ad film composition, Blue/Green Screen production&Color Correction. These skills can help video editors to make a career in the film industry with ease and confidence.
You will be learning software prominent in the industry and understanding import to delivery process- Avid Media Composer, FINAL CUT PRO (FCP) , adobe premiere and Da Vinci Resolve. Once you’ve finished this course you will be able to take your productions to the next level with your new Film Editing skills.
Faculty members- A.V. Narayanan, C.G. Sriguha, Shaan Mohammed (FTII Alumni) andSooraj E S/Steven Bernard/Sreekar Prasad( Industry experts)- are masters built on their experiences in many different fields of Visual Editing .
All of them are award winning Visual Editors.
As an academician, CG Sriguha has taught editing and film making at FTII, Pune; Rai University, Hyderabad; Manipal Group; L V Prasad Film Academy; Ramoji Academy of Film & Television, Hyderabad; SAE Colleges, Chennai. Apart from the Syllabus based classes, we will have Masterclasses by Sreekar Prasad, a leading visual editor of the Indian film industry as a whole. Bollywood’s reputed Film Editor Steven Bernard will deliver both workshops and classes. Other experienced teachers and State-award winning editors are Anas Chennatt, Shaan Rahman and Praveen K.L. Assignments will be there to update your skill set.
The course is conducted as 100% Online, so that you can learn at the comfort of your home. The course material can be accessed for one year that will help you to watch the same lessons multiple times to understand the concept thoroughly.This will help self-paced and flexible kind of learning.
The basic qualification is Plus Two and there is no age limit. On discussions forum, students can ask questions and working together to solve each other’s questions. New batches will start at the beginning of each month.
You will most probably get jobs in Film Editing Projects, Movie Trailer, Promos, Teasers, Film Editing, Tele – Serial Editing, Ad Film Composition, Color Correction.
We hope to see you in this course!
Learning Structure: Self/Instructor-paced
Duration: 6 Months
Method of Teaching: Recorded and Online classes
Language of Instruction: English
Program starts: From 9th November, 2020
Eligibility: Senior secondary school or equivalent
Course Fee: Rs. 35,000/-
For further details:
Call us: 9496168654, 8921958160
Module 1
History of Editing
Existence of Editing as a concept in our daily life- reading comprehension, writing editing in early days of cinema- -Sound in cinema, Editing the storytelling art .
The Hollywood school- Griffith/Porter/MeleiesThe soviet school- – Their contribution in the language of Editing Kuleshov, Eisenstein, Pudovkin
Approaches to Editing in Hitchcock, Kurosawa, Godard, Bresson
Editing in films of master film makers-
The basics of Analog/ non- linear Editing- film- preproduction to final filmThe digital basics- from pixel to final image.
Workshop on Digital basics & interoperable modes in nonlinear software’s
60 marks questions & Assignments on the topics above
Module 2
Editing devices & techniqueused in different modes of Communication
Time & space manipulation
Parallel editing- use of close up & continuity, Types of shots, order of shots, basic contents of shots, the scene. Inserts, cut in, cut away, jump cuts, transitions, Fade in, Fade out.
Action continuity Dramatic continuity-Jump Cut
Constructive Editing- Analytical editing.
Dramatic –Dialogue Editing/ Narrative cinema- Indian/ Western /
Songs as modes of communication& use of special effects in songs
appreciation of musical montage in films integrating the modern modes Video effects & Animation in music videos, ad’s corporates
Feature film- input to deliveryOrganizing the volume of rushes spot editing Cutting with sound–Review of the rough cut – stage for second cut./effects/non- sync tracks- background score -Cutting for effective use of sound tracks/ digital color correction/dcp/projection standards–—feature film
Workshop on Editing techniques & innovative methods of storytelling & communication
(60 marks Questions & Assignments on the topics above)
Module 2-
Aesthetics of Editing
Understanding the script/suggestions/ working relationship with core members
Narrative structure—Exposition—Crisis- denouement-
Characters/ emotional balance/ overall pace/ Rhythm of the film–
Use of sound effects/
the song sequences in Indian films, music for enhancement and overall impact.
Rhythm,movement, pacein the overall finagling of the film.
Appreciation of non- linear editing styles used post 1990’s
Workshop with a reputed Editor on feature film editing
(60 marks Questions & Assignments on the topics above)
Modue 3
Non fiction
History of Documentary/ Significant milestones in annals of documentary
Essential difference in fiction &nonfiction
Editing different genres of documentary
Docu- Fiction/Spots/Social awareness fillers
Effective use of Music, Graphics—Animation
Workshop with a reputed Editor on Documentary Editing
(60 marks Questions & ProjectAssignment on the topics above)
Module 4
Emerging possibilities
Television Production basics
Digital Image Technician Role of DIT
Web series & OTT platform
Video wall art installation&new age media
2 Interactive sessions with concerned faculties of the topics listed above
( 60 marks Questions & Project Assignment )